In modern day Suffolk lies the town of Dunwich. It’s a small place today but many centuries ago, it was a thriving Saxon settlement of some five thousand souls. But Dunwich’s prosperity was not to last. It was lost to the sea – the whole place swallowed up in a mighty flood.
Whether the inhabitants had drawn the wrath of the God of the Book in their dealings with the heathen northmen, fallen foul of the attentions of some Monster of the sea, or whether Woden himself was displeased by their conversion to the ways of the new faith is unknown.
But Dunwich was drowned, and lost to memory.
After a millennia beneath the brackish sea marsh a small minding of this lost settlement has come to light: a single hoard of coins, weathered green by their time beneath the water. A portion of this remnant of the Saxon Atlantis can now be yours and aid the telling of your tales in the Age of Heroes. BEOWULF Dunwich coins are available for but a short time, and they are in strictly limited supply. On the 7th of September they return beneath the waves.
(It’s a great tale, but these coins are not really from Dunwich. And we’ve taken heinous liberties with the story of Dunwich, lost to storms in the 13th and 14th centuries. Our “Dunwich Coins” are limited edition BEOWULF inspiration tokens, designed by Handiwork Games’ Paul Bourne, made by Campaign Coins, and hand customised by artist Jon Hodgson)
We’re delighted to have received two ENnie nominations this year, for BEOWULF Age of Heroes in Best Electronic Book, and a|state Nicely, Done for best free product.
Nicely, Done is an introductory adventure for the new edition of a|state, which we recently kickstarted with great success. a|state bring numerous developments to the Forged in the Dark ruleset, making your group of characters’ ability to care just as important as their ability to fight or sneak or steal.
The book opens with a series of spreads about the setting of The City. Since the PDF is free, the best place to see this is in the PDF itself. But we’ll run through some of the highlights.
We’re delighted to have received two ENnie nominations this year, for BEOWULF Age of Heroes in Best Electronic Book, and a|state Nicely, Done for best free product.
Today we’re taking a look at some of what you’ll find in BEOWULF Age of Heroes.
BEOWULF is a supplement and setting for 5e, which centres around duet play – one GM and one player. It presents a host of new rules to facilitate that, including the Hero class, Followers, the defeated condition, and a wealth of setting material. It’s all wrapped up with a ton of beautiful atmospheric art and layout.
Today we’re looking at some selected spreads from the book.
First up, we have a foreword by star of all things Beowulf, Maria Dahvana Headley. Maria was kind enough to provide us with an introduction to our book, since we share some themes, and clearly a subject matter. The foreword is a great read all on it’s own:
Next up, let’s look at the map. BEOWULF’s setting of “The Whale Road” is a highly flexible place. Based on the myths and stories of the people we commonly refer to as the historical Anglo-Saxons, this is a highly modifiable, unreliable map. Each adventure takes place just where the Hero needs to be, every Hero has their own ship, and we don’t spend a lot of time tracking distance travelled. But a map that shows the reader the scope of the lands known to the characters in the game is certainly useful for inspiration, and a useful bridge into the setting for us moderns.
From BEOWULF Age of Heroes:
“On Maps A good look at a modern day map of the North and Baltic seas is highly recommended for inspiration. The boundless archipelagos of islands that throng these waters are very inspiring. It is rightly called the Mediterranean of the North! If we mentally remove all modern national boundaries, and consider the possibilities of countless fiefdoms, the avenues for adventure are endless!
The people of the Whale Road have no clear idea of geography in the way we do in the modern world. They lack satellites and planes, and indeed accurate means of measuring distance. They navigate by the stars and by lodestones, and with information handed down over generations, knowledge kept safe in place names rather than in bird’s eye view maps.
And so it is we can explore a shifting, unreliable geography without fear of contradicting any tyrannical map. The mysterious island fiefdoms in need of a hero’s help are always right where they need to be.
The Whale Road is measured less by miles and more by the skill of the sailor, and the craft of the shipwright, and the needle of the sailmaker. A sailor of average skill might cross from one point to another in three days. A famed Hero, deft in the ways of sail and swell, might be able to shave that travel time to just a single day and night. This is something to be encouraged. Heroic voyages are best not measured by modern day means nor modern ideas.“
Next up, here’s one of our favourite spreads from the book. It just looks so crisp in the flesh. The compressed jpeg here doesn’t really do it justice. BEOWULF Age of Heroes presents a raft of unique backgrounds for your Hero characters. Noble’s Blood is probably the most traditional and most like “Prince BEOWULF”. There are many others, including Adrift, Avenger, Chosen One, Foundling and more!
BEOWULF also presents the unique Hero class, that enables duet play – one GM and one player, which is at the heart of the supplement. There are subclasses built around each ability score. In this spread we see the Council Caller and the Honey-Tongued. There’s also two of our favourite pre-generated characters – Blaedswith, the Karelian Amulet Witch (now appearing in Campaign Coins Twitch stream!) and Ibn Uthman, who routinely wins any popularity contest among BEOWULF fans. You may recognise his inspiration from either The Travels of Ibn Fadlan or the movie based upon those travels, The Thirteenth Warrior, which brings Ibn Fadlan into the world of the Beowulf poem.
Perhaps because we’re known for our artwork, we hear a lot about the art in BEOWULF. But there’s so much more to the book. There’s a whole appendix of really useful tools for the GM and player, enabling you to create backstories for Monsters, tables to generate the appearance of background NPCs, useful setting appropriate names and more. Don’t tell anyone, but while BEOWULF superficially appears to be about monster slaying, really it’s about the human beings that surround the monster, and how they relate to it, and the Hero who appears to save them.
The Hero needs some skill at arms to defeat the inevitable beast at the heart of a BEOWULF story, but without some smarts and people skills they won’t get far in unravelling how to defeat it.
The Foreground NPC Generator provides a system for generating an interconnecting web of NPCs in which to hide the clues of how the Monster can be defeated:
You can buy BEOWULF in PDF here, and order the book here. It’s also available from selected stockists. You can vote in the ENnies here until the 27th of August. BEOWULF is nominated in Best Electronic Book and we’d really appreciate your vote!
The ENnie Awards are an annual celebration of excellence in tabletop role-playing games. They are peoples’ choice awards, voted upon by YOU, our online gamers, and they give well-deserved recognition to designers, writers and artists.
Handiwork Games’ campaign setting BEOWULF: Age of Heroes has been nominated for BEST ELECTRONIC BOOK, and our a|state RPG primer, Nicely, Done, has been nominated for BEST FREE GAME/PRODUCT.
In 2020, Handiwork Games’ The Hermit’s Sanctuary, a free sample adventure for BEOWULF: Age of Heroes 5e campaign setting, was nominated for two ENnie Awards – Best Electronic Book and Best Free Game.
Based on the Blades in the Dark system, and with its second edition now funding on Kickstarter, cult hit a|state has also seen previous success – the first edition was nominated for Best Game and Best Graphic Design in 2004.
Handiwork owner and team leader Jon Hodgson says, “I’m bowled over that we’ve been nominated for more ENnies. It’s a real testament to the hard work and creative commitment that everyone working at Handiwork Games puts in, and we’re really delighted to be nominated. All our games are an absolute labour of love, and it’s wonderful to see that recognised. Congratulations to our fellow nominees, and thank you to the judges and ENnies organisers. We really appreciate it.”
Congratulations to all our fellow nominees, and a great big thank you to all of our GMs, players, followers and supporters – you’ve all helped make this happen. Voting open on the 18th!
We’ve been shouting a lot about our a|state Kickstarter – but it’s SO GOOD to see so many of you on board with the project, and to see those stretch goals tumble.
a|state second edition is powered by a custom iteration of the Forged in the Dark rules. Developer Morgan Davie talks about factions within the game:
Let’s talk backing factions in a|state! (This is a juicy one because you’re about to get an exclusive look at something that isn’t included in the preview rules hat every backer gets access to…)
Every troublemaker has a special relationship with one faction, called their backing faction. This means the alliance of troublemakers brings together a whole set of different priorities and interests. They all want to save the corner, and they all want the alliance to succeed, but they want other things too. That can sometimes make things tricky! But let’s not get ahead of ourselves.
As a troublemaker, why do you want a backing faction anyway? What do you get from them? To start with, they keep you going. If you ever lose your backing faction you’ll need to start working hard just to get by. But you don’t need to worry about that, right? Why would you ever lose their support? It will never happen to you, and you might as well cross those rules right out of the book, right? 🙂
You can also tap the backing faction for favours. They can loan you equipment or cohorts, let you use their claims, help you gather information, even assist on your action rolls. Thanks, backing faction!
Of course, this relationship is a two-way street. The backing faction will sometimes tap you for favours. Often these will be small jobs you can fit in around your troublemaking life: check in on some friends of the faction, put up some posters around the corner, give a speech at an important wedding.
But sometimes the favours will be more substantial. We call those Hidden Agendas. When you get a hidden agenda, the backing faction is asking you to do something significant for them. Every agenda has a clock ticking down, so you can’t put it off too long. Maybe they want you to cause some trouble for a rival, or secure some new resource for their exclusive use. How will you get this done? That’s up to you. Just find a way. And sometimes those hidden agendas aren’t just quiet jobs to help your backing faction; sometimes they are actively aimed at the backing factions of other troublemakers. What are you going to do when your backing faction tells you to find blackmail material on one of your fellow troublemakers, “just in case”?
Trust between troublemakers is an important part of the game. The backing factions ensure that nothing is ever easy in the fight for your corner. The City is a complex place, and you will have some tricky decisions to make. Watch your back, and place your trust wisely.
Our £29k a|state stretch goal, THE THREE COINS, is a game within the game, an in-situ RPG played by the denizens of The City.
If you’ve ever been a concept gamer, or if you love old gaming ‘zines and their style, or if you really want to uncover how your characters think and feel and react, how they interact with the City, and what the setting reflects about the characters themselves – then this is your moment of insight. Fully existing within the a|state campaign setting, THE THREE COINS is our RPG Inception.
We asked Jon some questions about a|state, which is fully funded and blowing through stretch goals right now on Kickstarter.
Hi Jon, so you’re basically the person in charge of Handiwork Games – what brought you to a|state? Hello! Yes! It’s a roundabout story that goes back many years, which includes some amazing coincidences and crossings of paths! So way back in the early 2000s, hanging out at rpg.net, I became aware of this Scottish game developer called Contested Ground Studios. They had a very slick website, and presented a really interesting and weird game called “a|state”. I liked how gutsy they appeared, and how different what they were doing seemed to be – it seemed really high end, and I can recall wondering who these mysterious people were.
